Folley Artists
Complicite - The Encounter - Binaural Theatre
The Ethel Gabriel Scholarship
Gareth Fry: Capturing sound for Complicite’s The Encounter
The Encounter uses pre-recorded and live binaural sound as part of its narrative framework. Here, sound designer Gareth Fry explains the complex process of putting the show's audio together
Sound Designer - Nevin Steinberg
http://in1podcast.com/45-nevin-steinberg/
Sound Designer Nevin Steinberg tells us about the steps being taken to educate the public about the art of Sound Design...
Theatres and Theatrical Productions | Interview Sound Designer Mic Potter
Everybody wants that unique live experience, but the baby boom theatre audience, aged thirty-five to fifty-five, has become accustomed to surround movie theatres, CD and DVD, Nicam stereo TV and stereo FM radio. They've almost never heard unamplified sound: even the smallest sales conference or church hall uses radio mics."
- Sound Designer Mick Potter
Sound Design for Musical Theater with VENUE | Go behind the scenes with sound designer Gareth Owen
http://connect.avid.com/Sound-Design-Guru-Gareth-Owen-Registration.html
‘An American in Paris’ A Less Amplified, More Analog Period Sound
‘An American in Paris’
See more at: http://www.mixonline.com/news/live-sound/american-paris/426265#sthash.pKoVmGVA.dpuf
TiMax is Aladdin’s Genie on Broadway
Sound Designer Ken Travis teased the show's sonic magic from a mammoth system comprised of 40 wireless microphones....
